2022: The year in review – Part 2: Blogging

There were plenty of blogable events in 2022, though most of them were rather discouraging. Top of my list of reasons to be fearful was of course the war in Ukraine, though that perhaps betrays my Euro-centricity; the civil conflict in Ethiopia has been equally devastating, despite receiving little coverage in the western media, and dozens of other wars rage on across the world. Other worrying developments included the assault on reproductive rights in the US, political chaos and government dysfunction in the UK, global economic uncertainty, and, rumbling on ominously in the background, the still largely unaddressed climate crisis. It does feel like the worst of the covid-19 pandemic has passed, in the UK at least, though the current resurgence of the virus in China may kick the whole cycle off again.

Is there any cause for optimism? The overturning of Roe v Wade did galvanise progressive opinion stateside, which, judging by the midterm results at least, seems to have put a brake on the worst excesses of Trumpism. Meanwhile, over here, the Tories’ attempts to impose more austerity on an exhausted working class has provoked a rash of industrial unrest on a scale not seen since the 80s, so a shift to the left in time for the next election is on the cards. There is a world beyond the US and the UK of course, and a multitude of social justice movements, particularly in South America, give plenty of reasons to be hopeful.

Away from politics, it was fun to watch the crypto implosion unfold, though I’m still mystified by how easily incompetent hucksters like Sam Bankman-Fried managed to persuade apparently intelligent investors that their half-baked Ponzi schemes were anything other than a scam. On a higher plane, I was encouraged to see the success of NASA’s Artemis lunar mission; I may yet see a permanent moon base within my lifetime.

I did keep up semi-regular commentary on all this, but overall 2022 wasn’t one of my more productive years, as reflected in our ten most viewed posts, which are almost entirely from the archive:

  1. There is no land beyond the Volga
  2. Watching the Okhrana
  3. The Linden Principle
  4. Oscar predictions 2022
  5. Second Life demographics – a brief review
  6. On Second Life and addiction
  7. Ladies and Gentlemen We Are Floating in Space
  8. War in Ukraine
  9. Endgame forecast
  10. Caledonia rising

I have long given up trying to analyse why these old posts fall in and out of favour, but I did wonder if our 2013 piece about the Battle of Stalingrad had come out top due to the Red Army once more being involved in fighting in Europe, though of course in rather less honourable circumstances than in 1943.

Of the posts we did produce this year, I was quite proud of these:

Our global reach has shrunk a little from last year, with visitors from 39 countries. The UK and the US still provide the bulk of our traffic, but the numbers from China are encouraging, and non-anglophone nations make up half of the top ten:

  1. United Kingdom
  2. United States
  3. China
  4. Canada
  5. Australia
  6. India
  7. France
  8. Japan
  9. Hong Kong
  10. Puerto Rico

So much for the past; what can SLS readers look forward to in the future? For a while I’ve been thinking we should shift away from the political and economic themes that have been our main focus over the last few years, and try to pivot back to our roots in virtual-world commentary, but I’ve been reluctant to make the investment in the updated hardware that I would need to start logging in to Second Life again. However I recently discovered that there is a new mobile TPV available, SpeedLight, which I’ve downloaded, and intend to try out over the next few days. Will this rekindle my love of SL and inspire me to new heights of dazzling analysis? Stay tuned to find out…

2022: The year in review – Part 1: Culture

It’s time once again for the annual audit of my engagement with contemporary culture. As ever the full story is on our Tumblr; here are the best bits:

Television – I still subscribe to several streaming services, but despite this I’ve been watching a lot less TV this year compared with last. I was going to say it was mostly lightweight genre programming, but looking back I see it was actually exclusively lightweight genre programming; I evidently no longer have the intellectual stamina for the sort of serious dramas that the critics recommend. I liked Moon Knight, and The Rings of Power was pretty to look at if ultimately rather unsatisfying, but, judged by the speed with which I binge-watched it, my vote for most enjoyably diverting show would have to go to season two of Only Murders in the Building.

Film – At the start of the year I took out a membership at our local arthouse cinema, fully intending to get back into the independent movie habit; let’s just say that hasn’t quite worked out, though I did manage around one film a month. Honourable mentions go to Amsterdam, Licorice Pizza, and Nightclubbing, but I’ll try to maintain my cinephile credibility by nominating a film with subtitles as my favourite; The Worst Person in the World.

Books – My major literary project this year was reading The Brothers Karamazov, which I found every bit as good as its reputation suggests; satisfying philosophically but also narratively, with characters so vividly drawn that one never feels they are mere mouthpieces for Dostoyevsky’s ideas, rather than living, feeling individuals. I have some regret that I didn’t tackle this great work years ago, but on the other hand I also believe that the books that stay with you are the ones you read at the right time in your life; perhaps late middle-age is when I needed to meet Fyodor Pavlovich Karamazov and his sons. My other obsession in 2022, inspired by my trip in the summer, involved books about life in California; highlights in the fiction category included works by Bret Easton Ellis, Edward Bunker, Joan Didion, and Armistead Maupin. My favourite book of the year was something more contemporary though; I Fear My Pain Interests You, by Stephanie LaCava.

Music – I’ve purchased rather fewer albums this year than usual; I think it’s because I’ve not been listening to the radio or reading the music press much. Still a lot of good stuff though; here are my top eleven, since I can’t quite edit it down to ten:

I didn’t get to see much live music this year; of the shows I did attend Kim Gordon was the one I really enjoyed.

So that’s the year in culture; not particularly adventurous I guess, but not totally ossified either. Next up: blogging.

2021: The year in review – Part 2: Blogging

After a relatively productive 2020 our posting rate fell off a bit this year, but we did manage to at least touch upon a few of the main political and cultural developments of the last twelve months.

Foremost among these was the continuing dislocation of the seemingly-endless covid-19 pandemic. Any optimism generated by the production of a vaccine has started to ebb away, as viral mutation has brought us to the brink of another dispiriting winter lockdown, sorely testing the population’s willingness to endure further restrictions. The government’s typically confused response has done little to inspire confidence that the situation will be under control any time soon. I guess at some point in the future we’re all going to be either immune or dead; perhaps we’ll get back to normality then.

For a while at the start of the year it looked like US politics might get quite interesting, but, once the smoke had cleared after the Capitol riot, things settled into a familiar routine; the competent but dull centerism of Joe Biden being frustrated by the characteristic obstructionism of an ever rightward-shifting GOP. Meanwhile the momentum for progressive change that had built up under the Trump administration has all but disappeared, as the left shifts its attention to looming defensive struggles around voting rights and reproductive autonomy.

Here in the UK, the last couple of months have seen problems mounting for Boris Johnson, as various scandals and electoral setbacks have given the lie to the notion that he was able to defy the normal rules of politics with his trademark bluster and charm. Bourgeois liberals, who had been in a state of demoralisation since the Brexit catastrophe, have greeted this development with joy, declaring confidently that it signifies a return to sensible moderation, and discouraging any talk of left alternatives, lest the electorate is frightened back into the arms of the Tories. I think this is exactly the wrong lesson to learn from the recent history of British politics; the reason Johnson has been able to make inroads into traditionally Labour-supporting areas is because the left has been too tentative in promoting a progressive vision, rather than over-confident. Pursuing a supposed centre ground just allows the right to set the agenda, dragging the country further into reaction. There are some signs of a left revival, especially in the devolved nations, but hope is still a scarce commodity.

Anyway, here are our top ten posts of 2021, by traffic:

  1. Red star shines on
  2. World Cup predictions revisited
  3. The Linden Principle
  4. Euro predictions
  5. Euro 2016 forecast
  6. Premature relaxation
  7. Fly me to the moon
  8. L’Italia è vittoriosa
  9. 02022020
  10. There is no land beyond the Volga

I’ve given up trying to analyse why some old posts suddenly become popular again, and I’m a bit disappointed that only one from this year made the cut, but at least a few of the vintage pieces are good ones.

Here are my favourite posts of the year:

Our global reach shrank a little this year, but we still managed to attract visitors from 40 countries; here are the top ten:

  1. United Kingdom
  2. United States
  3. China
  4. Japan
  5. Canada
  6. India
  7. Malaysia
  8. New Zealand
  9. Vietnam
  10. Germany

After a year when it sometimes seemed we were stuck in some sort of temporal loop, I have a feeling that 2022 might deliver some significant change, so there should be plenty of topics to comment upon; we’ll see if I manage to be a bit more productive. Whatever happens, I hope all our readers have a happy, safe, and prosperous New Year.

2021: The year in review – Part 1: Culture

According to the meticulous record I keep on our Tumblr, my consumption of Serious Cultural Experiences was up 17.46% over the course of 2021. This may or may not be related to a loosening of my criteria for what constitutes a Serious Cultural Experience; I’ll let you be the judge…

Television – This year saw me watch a lot more TV than I had for ages, partly because other entertainment options were somewhat limited, but mostly because I had signed up for several streaming services, and was determined to get my money’s worth. I have to admit that I sat through a lot of late-night junk, but I did follow a few of the series that received more positive critical attention, like The Queen’s Gambit, and WandaVision. My favourite was Pretend It’s a City, in which Fran Lebowitz and Martin Scorsese trade anecdotes about life in New York, evoking the kind of classy intellectual milieu that I can only dream of being part of.

Film – I enjoyed WandaVision, but for about 90% of the time I had no idea what was going on, so, since I had already shelled out for the Disney+ subscription, I set out to fill the gap in my pop-culture knowledge by watching all the Marvel movies in timeline order, starting with Captain America: The First Avenger in May, and wrapping up with Avengers: Endgame just a few days ago. I’d hesitate to say that it was the most productive use I could have made of my time, but it was diverting, and there were some interesting themes explored, though personally I preferred the entries that stuck to the comic-book spirit over those that aimed for a more serious tone. I thought the best of the bunch was Captain Marvel, but that might just have been due to the grungy 90s soundtrack. I did go back to the cinema once it reopened, but I stuck to fairly undemanding entertainment rather than anything more heavyweight. I expect that The French Dispatch would have been my movie of the year if I had been organised enough to buy a ticket while it was still playing; since I wasn’t my vote goes to Last Night in Soho, with honourable mentions for Dune and House of Gucci.

Books – I didn’t read much fiction this year, or much non-fiction, or much of anything longer than a magazine article to be honest; too much TV I guess. Of the books I did manage, mostly old ones, I liked Balthazar, the second volume of the Lawrence Durrell’s Alexandria Quartet, Nixonland, Rick Perlstein’s biography of Richard Nixon (obviously), Will Self’s thinly-fictionalised autobiography Will, and, my favourite, John Updike’s The Centaur.

Music – I bought a lot of records in 2021; music is the one area of culture where I try hardest to keep up the pretence that I am somewhat in touch with the zeitgeist, albeit within the narrow parameters of my long-established taste. Here are ten albums I particularly liked:

  • The Shadow I Remember – Cloud Nothings
  • Flock – Jane Weaver
  • Electrically Possessed [Switched On Volume 4] – Stereolab
  • epic Ten – Sharon Van Etten
  • Bodies of Water – Moontype
  • Chaise Longue / Wet Dream – Wet Leg
  • Long Time Coming – Sierra Ferrell
  • Astral Spectra – Piney Gir
  • The Umbrellas – The Umbrellas
  • Sympathy for Life – Parquet Courts

I didn’t go to any concerts, even though the music scene did start to tentatively open up towards the end of year. I have tickets for a couple of shows next month, here’s hoping they go ahead.

So that was 2021 in culture; no big surprises, which is only to be expected at my age I suppose. Next up: the year in blogging.

2020: The year in review – Part 2: Blogging

It would be somewhat of an understatement to say that 2020 was an eventful year; certainly there has been no shortage of topics to blog about, and we managed to keep up a fairly steady stream of posts throughout the year.

Most of our pieces focused on politics. We obviously couldn’t avoid touching on the effects of the coronavirus pandemic (once we finally noticed how serious it was), but the bulk of our commentary concerned the two areas we had identified as important back in January; the US Presidential election, and the Brexit endgame.

The result in the US was not quite as good as we had hoped – our prediction of a President Sanders was a little over-optimistic – but nowhere near as bad as we feared during the summer, as the threat of a Trump coup turned out to be nothing more than empty rhetoric. Whether the election of Joe Biden represents a return to some sort of normality, or just a pause in the downward spiral, remains to be seen.

Over here, the Brexit saga dragged on through countless missed deadlines, before culminating in a last-minute deal that promises to be merely semi-ruinous, rather than a complete disaster. There is a chance that, now the political heat has been taken out of the issue, the country will be able to start quietly rebuilding relations with our continental neighbours, but that was what we hoped for after the election last year, so I expect that this story has a few more unhappy chapters still to come.

We actually wrote surprisingly little specifically about the pandemic, considering that it is probably the most globally significant event since WWII. I think that this is mainly because I am aware that my personal experience of the lockdown has been far from typical. My job has changed a bit, my social life has been slightly less active, and I haven’t had a proper holiday, but apart from that it’s been more or less business as usual. I’ve managed to avoid contracting Covid-19, at least as far as I know, and nobody of my acquaintance has died, or even been particularly unwell with it. If anything I’m better off than I was last year; with the pubs and cinemas closed I’ve been exercising more, and I’ve been getting paid extra while having less to spend the money on, so I’m in pretty good shape, physically and financially, a fortunate position when half the country is facing a bleak winter of enforced idleness and financial precarity. In any case, the true significance of events like these often takes a while to become fully apparent, so it feels like it’s a bit soon to comment. We may have more reflections on all this, particularly the social and psychological effects, in the months ahead.

In between all that excitement we also found time for a bit of cultural commentary, and a couple of obituaries. We even gave a rare mention to Second Life, though only in the context of comparing it unfavourably to Animal Crossing. Despite otherwise completely ignoring virtual worlds in a year when, arguably, they have been more relevant than at any time in the last decade, I did keep my connection to SL alive by renewing my premium membership. This now costs a not-inconsiderable $99, so I’m hoping that 2021 will be the year that Linden Labs finally produce a mobile app that will let me get back on to the grid.

Anyway, on to the statistics; here are our top ten posts of 2020 by traffic:

  1. The Linden Principle
  2. There is no land beyond the Volga
  3. Second Life demographics – a brief review
  4. Watching the Okhrana
  5. Thoughts on La Peste in the time of Covid-19
  6. Six hundred
  7. Furry traversing
  8. One further message to my friends in the US of A
  9. Lost Christmas
  10. Get well Boris

The good news is that, after years of coasting on our past glories, over half of the top posts were published in the last 12 months, perhaps indicating that we are engaging more with a new audience. Less encouraging is that the most popular piece, by some distance, is one from 2010, which owes its hits to people searching for something else entirely, specifically the Linden Method, a rather costly repackaging of standard anxiety-management techniques. I could probably monetise this confusion by directing visitors to my own website, and overcharging them for some proprietary self-help therapy, but that seems a little unethical.

Other posts I was quite pleased with this year:

Of all of this year’s output, I think our Camus review was probably my favourite.

The US and the UK still provide the bulk of our traffic, but we did see a big jump in visitors from China this year. Our posts were read in a total of 49 countries, from American Samoa to Zimbabwe; the top ten were:

  1. United States
  2. United Kingdom
  3. China
  4. Germany
  5. Canada
  6. France
  7. India
  8. Australia
  9. Japan
  10. Brazil

So, 2020, with all its challenges, has come and gone, and we’re still here, which feels like some sort of triumph. 2021? Bring it on, we say…

2020: The year in review – Part 1: Culture

2020 has, for obvious reasons, been the sort of year when I might have expected to have had plenty of time to watch all the movies and read all the books that I had been meaning to catch up on for ages. Sadly, that has not been the case, partly due my work schedule actually being busier than it has been for a long while, but mostly because any downtime I did have was spent trying to keep up with the latest news, then attempting to distract myself from the latest news with undemanding entertainment.

That said, the year wasn’t a complete wash-out, culture-wise; the complete list is on our Tumblr, and here are the highlights:

Film – Towards the end of 2019 I got back into the habit of going to see a movie on the big screen most weeks, and I kept this going into 2020, alternating between the multiplex and the arthouse, right up until the cinemas were shut down. Of the mainstream films I saw, my favourite was probably Parasite, though The Lighthouse and Little Women get honourable mentions. I did sign up for a Netflix subscription after lockdown kicked in, but I haven’t really made much use of it; my pick from that service would be Uncut Gems. My personal Oscar for 2020 goes to an independent movie screened during our local film festival; Jesus Shows You the Way to the Highway, a delightfully surreal Spanish-Estonian-Ethiopian-Latvian-Romanian co-production, concerning secret agents trapped in a VR dystopia, featuring Batman, ninjas, Joe Stalin, the titular Saviour, 8-bit computer graphics, and much more. If if wasn’t for the evidence of its existence on the internet, I might suspect that I had just dreamt it.

Books – I got through shockingly few full-length books this year; my reading time was consumed by keeping up with political developments, and trying to stay on top of the professional updates I needed to do my job effectively. I didn’t manage much recent fiction, but I did finally complete Proust’s In Search of Lost Time, roughly 30 years after my first reading of Swann’s Way, and started on another classic series, Durrell’s The Alexandria Quartet, by revisiting Justine, which I had first read when I was 15 (though I didn’t really appreciate the work’s psychosexual depth at that tender age). In the current circumstances I could hardly avoid returning to the plague-haunted Oran, vividly described by Camus in La Peste, and my literary travels also took me to pre-revolutionary China, in the collected works of Lu Xun. In non-fiction, I explored cosmology and quantum theory with Dan Hooper and Sean Carroll, and the origins of consciousness with Daniel Dennett. My favourite book of the year was another old one; Anna Kavan’s 1967 novel Ice, an unsettlingly phantasmagoric evocation of impermanence, loss, and gendered violence, set amid a world succumbing to a creeping environmental catastrophe – just the kind of cheery tale we need in times like these.

Music – I may not have had the cognitive bandwidth to fully engage with serious literature and cinema in the last 12 months, but I did listen to a lot of new music; here’s a fairly arbitrary top ten:

  • If You’re Dreaming – Anna Burch
  • Devotion – Margaret Glaspy
  • Song For Our Daughter – Laura Marling
  • Jetstream Pony – Jetstream Pony
  • The Black Hole Understands – Cloud Nothings
  • The Making Of You – Snowgoose
  • Ballet Of Apes – Brigid Dawson & The Mothers Network
  • Consummation – Katie Von Schleicher
  • It Will Come Easier – Emma Kupa
  • Honeymoon – Beach Bunny

I didn’t see much live music this year; I did have tickets for a few shows, but most of them ended up being cancelled. Of those that did go ahead, I enjoyed a recital of Beethoven’s Piano Concerto No. 5 in E-flat major, and a very rare trip to the opera house, to see a revival of John Adams‘ Nixon in China.

Television – For the first time in more years than I care to remember I followed a TV series in its entirety; Mrs. America, an examination of the political struggles in the 70s around gender and race, which gave a human face to the history underlying today’s culture wars. I have a few other shows bookmarked on Netflix; we’ll see if I ever get round to watching them.

Last December I resolved to spend more time on cultural pursuits, and less time obsessing over the news. I guess, with the year we’ve had, I can be forgiven for falling a little short of that goal. We’ll cover some of what distracted me in our next post.

2019: The year in review – Part 2: Blogging

In some ways 2019 was very successful for SLS; we posted a total of 66 pieces, making it our most productive year since 2010. On closer examination though, it can be seen that practically all these posts addressed UK politics, specifically the Brexit question, and that very few of them were particularly insightful, serving mainly as an outlet for my angst about the increasingly desperate situation rather than providing any useful analysis of it. As the year closes I’m still in a state of post-election paralysis; it may be some time before that passes.

Anyway, here are our ten most-read posts of the year:

  1. Second Life demographics – a brief review
  2. Questionable things
  3. Watching the Okhrana
  4. Irresolute
  5. There is no land beyond the Volga
  6. Two Galleries
  7. Ladies and Gentlemen We Are Floating in Space
  8. Incassable
  9. Won’t you please be my friend?
  10. Maintaining perspective

The demographics post has been a reliable chart-topper since it was published back in 2010, but the rest of the list is a rather inexplicable mix of old and new.

Here are my personal favourites from this year, in chronological order:

And, for completeness, a note of our international appeal. We had visitors from 34 countries; here are the top ten:

  1. United Kingdom
  2. United States
  3. India
  4. Canada
  5. France
  6. China
  7. Netherlands
  8. Australia
  9. Japan
  10. Mexico

That’s a little less Euro-centric than in previous years, somewhat ironic given that most of our content in the last twelve months has been about Europe, but perhaps it’s just a sign of the more detached future that the country faces.

Things may change, but we’re still here, looking forward to the next decade with some trepidation, but mostly optimistic that humanity will continue its progressive course, despite any temporary setbacks. A Happy New Year to all our readers, and we’ll see you in 2020.

2019: The year in review – Part 1: Culture

Here’s our look back on our most notable cultural experiences of the year; the full list is, as ever, on our Tumblr.

Film – I’ve started going to the cinema regularly again over the last few months, mainly matinee shows at the multiplex, but a few trips to the arthouse too. I liked Ad Astra, Knives Out, and Rolling Thunder Review, but my favourites were the monochrome Bait, an expressionist tale of class conflict in Cornwall, and Once Upon a Time in Hollywood, Tarantino’s flawed but ultimately beguiling portrait of late-60s California.

Books – I’ve read less than I would have liked this year, mainly because I spent a lot of time obsessing over the news, which, for much of 2019, was not unlike a melodramatic potboiler, though surely one that any editor would have rejected as implausibly plotted. Of the actual fiction that I did get through I thought the best was Taffy Brodesser-Akner’s Fleishman Is In Trouble, though I felt it was a bit more predictable than many of the reviews suggested. I enjoyed the poetic memoir of Lawrence Ferlinghetti’s Little Boy, and caught up with some historical reportage; Vasily Grossman’s notes from the eastern front in WW2, collected in A Writer at War, and Svetlana Alexievich’s anthology of first-hand female accounts of the same conflict, The Unwomanly Face of War, easily one of the most moving works I have ever read.

Music – no big changes in my musical taste this year; here are my top ten albums, in the order I bought them:

  • Get Tragic – Blood Red Shoes
  • Remind Me Tomorrow – Sharon Van Etten
  • Lung Bread For Daddy – Du Blonde
  • Titanic Rising – Weyes Blood
  • Stranger Things – Yuck
  • Joanthology – Joan As Police Woman
  • Any Human Friend – Marika Hackman
  • Dolphine – Mega Bog
  • Life’s An Illusion – The Sorry Kisses
  • No Home Record – Kim Gordon

I probably listened to Joanthology more than anything else, but it is a retrospective; my favourite of the original releases was Lung Bread For Daddy. I didn’t go to as many concerts as usual this year; but the two I did manage were great – Laura Gibson and Marika Hackman.

I’m planning to keep up my weekly cinema trips, at least until the winter is over, and I definitely want to start reading more fiction, though I guess I say that every year. It would do me good to step off the treadmill of trying to keep up with all the news, all the time, and just slow down a little – I did manage that for a while over the summer, but events drew me in again, as we’ll see in part 2 of our annual review, when we look back at the year in blogging.

2018: The Year in Review – Part 2: Blogging

We’ll start with the facts; our top ten posts of the year, by traffic:

  1. Second Life demographics – a brief review
  2. Free Pussy Riot!
  3. Watching the Okhrana
  4. Five Hundred
  5. There is no land beyond the Volga
  6. From Off the Streets of Cleveland
  7. The future is now
  8. Drone on
  9. Ladies and Gentlemen We Are Floating in Space
  10. On Second Life and addiction

As has been the case for the last few years most of these are from the archive; the demographics piece is perennially popular, but I have no idea why some of the other posts are still getting hits, years after they were published. Three entries from 2018 did make it onto the list, including our look back over our first 500 posts, and what I thought was our best piece of the year, my reflection on the passing of Ursula K. Le Guin. I can’t say that any of our other posts were particularly noteworthy, except perhaps our celebration of Marx’s birthday, or our obituary for Pete Shelley.

We received visitors from 47 countries, the same as last year, but down a bit from the global reach we had back in the day; here are the top ten:

  1. United States
  2. United Kingdom
  3. Canada
  4. China
  5. India
  6. Germany
  7. Belize
  8. Australia
  9. Portugal
  10. France

These are more or less the places we have always been popular, apart from Belize, from where we had an inexplicable surge of traffic for a couple of months in the summer. I’d like to think that there’s a small community of hard-core SLS fans hiding out in the Central American rainforest, but I guess it’s more likely to have been Russian hackers trying to infiltrate WordPress to subvert the US midterm elections or something.

Readers will have noticed that this blog has undergone something of a renaissance in the past few weeks; we’ve posted more pieces in the last month than we managed in the previous eleven. This has been fuelled by anxiety; as we’ve noted a couple of times in the past blogging can be a therapeutic response to situations that are outwith our control. Since there is no indication that the political crisis is going to get any better in the new year, I expect our current purple patch will continue for a while yet.

So, on that sort-of-happy note, I’ll wish you all a peaceful and prosperous New Year.

2018: The Year in Review – Part 1: Culture

Time for our annual run through my cultural highlights of the year – as usual everything is on our Tumblr.

Music – buying records has become my main cultural pursuit over the last few years; I’m fortunate enough to have the resources to purchase anything that catches my fancy, and, since nothing is more than a click away these days, I do get a lot. That said, the stuff I actually end up listening to regularly doesn’t tend to vary that much. Here, in no particular order, are my top ten albums of the year:

  • Floating Features – La Luz
  • Wide Awake! – Parquet Courts
  • Goners – Laura Gibson
  • Quit the Curse – Anna Burch
  • Future Me Hates Me – The Beths
  • Paycheck – Pip Blom
  • Fall into the Sun – Swearin’
  • Possible Dust Clouds – Kristin Hersh
  • Clean – Soccer Mommy
  • The Lookout – Laura Veirs

I kept up a fairly regular rhythm of gig-going; my favourite show was Parquet Courts, though La Luz and The Beths were a lot of fun too.

Film – I had a pile of DVDs I wanted to watch this year, but didn’t get around to; I don’t seem to have the time, or perhaps the attention span, to sit through a whole movie very often these days. Of the few I did see, The Love Witch was my favourite. My few cinema trips were mostly social affairs – I saw The Greatest Showman, and Mamma Mia! Here We Go Again, neither of which I would have chosen to go to alone, but both of which I enjoyed unironically. Far and away the best film I saw all year though was one I did go to see of my own volition – Wes Anderson’s Isle of Dogs.

Books – I’ve been reading a lot about existential philosophy in the last half of the year, no doubt because I’m getting older, and struggling more with the absurdity of life. Mostly it’s been articles in places like the Internet Encyclopedia of Philosophy, but also The Myth of Sisyphus by Camus, and de Beauvoir’s The Ethics of Ambiguity. It’s not an area that I was unfamiliar with, though I hadn’t read much of the original material before, but it does seem a lot more relevant now than it did when I was in my 20s. My fiction highlights were completing my annual volume of Proust, The Sweet Cheat Gone (only one more to go for the set), belatedly catching up with Shark and Phone, the sequels to my favourite book of 2013, Will Self’s Umbrella, and taking a rare dive into poetry with one of the Booker Prize nominees, The Long Take, by Robin Robertson. My favourite read of the year though was more existentialism; Simone de Beauvoir’s 1954 novel The Mandarins. Although the questions debated by the characters in the book may seem to be dated – there’s a lot about the Soviet Union – the underlying message, of the responsibility we have to engage in political activity to at least try to change the world, couldn’t be more relevant in today’s troubled times.

Next up: The Year in Blogging.

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