The future is now

The first time I saw the Pacific Ocean was when I visited San Diego in the early 90s. The morning I arrived, after a long overnight trip on the Greyhound, I dropped my bag at the youth hostel, just a short walk from the beach, and headed down to the shore to wash days of accumulated grime off in the warm sea.

I had travelled all the way from the cold east coast in a couple of gruelling bus journeys, and basking in the warm Californian sun felt like heaven. I ended up staying in San Diego for about a week, mostly just loafing on the beach, recharging my batteries while planning my onward course up the west coast. Wanting to travel a bit lighter, I packed most of my thick clothes in to a parcel which I sent back to the UK, figuring that I wouldn’t need them now that I had reached warmer climes. This was a decision I came to regret when I reached Oregon, and even more so when I got to Seattle, though the heavy plaid shirts I was obliged to purchase there to avoid freezing to death did make nice mementos of the trip.

The hostel in San Diego had a bookshelf with a good selection of pulpy sci-fi, which was perfect for undemanding beach reading. One story in particular caught my mood during those long, laidback days; a trippy tale of aliens from the Andromeda galaxy trying to invade the Milky Way through some kind of telepathic mind-control thing. I didn’t really comprehend all the subtleties of the narrative – the starships were all modelled on playing cards for some reason, meaning the stylised space battles took the form of cosmic games of trumps, and it was never clear which characters had and hadn’t been taken over by the aliens – partly because the volume I had was something like the third in a series of seven, so I had missed all the set-up, mostly because I was pretty baked at the time. It didn’t really detract from my enjoyment though. In the years since I’ve occasionally thought about tracking down that book – I’ve forgotten the title of course – and the rest of the set, so I could finally work out what it was all about, but, wisely I think, I’ve always resisted that impulse, as it would probably spoil what is a very fond, if hazy, memory.

Anyway, I was thinking of this because the one thing that I do remember about that book is its author, Ursula K. Le Guin, who, sadly, passed away last week. I’d read, and loved, her Wizard of Earthsea cycle when I was at school, though I’m not sure that that really prepared me for her more out-there sci-fi. I subsequently got to know more about her political outlook, which was not dissimilar to my own, and appreciate that her stories of the future, like all the best science fiction, were really about how we live now, what we need to change, and, most importantly, that change is not only possible, but inevitable. That’s a message that it’s good to hold on to in these dispiriting times.

2017: The Year in Review – Part 2: Culture

While posts on this blog have been a little sparse this year, I have managed to keep our Tumblr up to date, providing a handy list of all my cultural experiences over the last 12 months; here are my personal highlights:

Music – I’ve been steadily buying more records every year since I gave up my fixation with physical objects and started downloading albums back in 2014, so picking out my favourites has been getting harder; this is a fairly arbitrary top ten for 2017, in no particular order:

  • Antisocialites – Alvvays
  • Semper Femina – Laura Marling
  • Life Without Sound – Cloud Nothings
  • The Gold String – Devon Sproule
  • American Dream – LCD Soundsystem
  • Modern Kosmology – Jane Weaver
  • Pleasure – Feist
  • Masseduction – St. Vincent
  • MILANO – Daniele Luppi & Parquet Courts
  • Visions Of A Life – Wolf Alice

I managed to go to more concerts than usual this year too; my favourite was probably Cloud Nothings, though the Pixies gig was a fun blast of nostalgia.

Film – most of my cinematic experience this year was watching DVDs of stuff that came out last year; High Rise and The Neon Demon stand out. Of films I saw in an actual cinema easily the best was T2 Trainspotting, perhaps unsurprisingly, since I am exactly the demographic to appreciate it, having aged along with the protagonists, and shared their experience of change and maturity, though rather less dramatically.

Books – I completed another volume of Proust, The Captive, and filled a slightly embarrassing gap by finally reading some Murakami, The Wind-Up Bird Chronicle. My intake of more recent literature wasn’t great, but I did manage last year’s Booker winner The Sellout, by Paul Beatty, which seemed worthy of the prize, though it did run out of steam towards the end. My favourite fiction of year was another old one that I’ve been meaning to read for ages, The Dispossessed by Ursula K. Le Guin, a hard-headed yet inspiring treatment of the challenges facing individuals in a communal society. I read rather less history, science and biography than in years past, Patti Smith’s M Train my pick of the latter category.

So that was 2017, insofar as it is possible to sum any year up in a few hundred words. I do regret not posting more this year, especially about politics; right now I feel resolved to do better in the months ahead, but I guess we’ll have to wait and see.

Anyway, I’ll round off by wishing a Happy New Year to anyone who may be reading this, and hoping it finds you healthy and prosperous.

Ten Years After

Rather remarkably, today is the 10th anniversary of the very first post on this blog, and, while I started out full of enthusiasm, I don’t think I would have predicted that I’d still be churning them out a decade later.

It’s not been a steady stream of course – when I did a retrospective on the occasion of our 5th birthday back in 2012 I had a lot of material to work with; the pickings this time around are somewhat slimmer. There have been a few highlights though; here are my favourites:

2012

2013

2014

2015

2016

2017

So there you have it, 16 worthwhile pieces in 5 years. Is that a good enough return to justify keeping this blog going? On balance, I think so, though I guess we can revisit the question in 2022. In the meantime I’ll revive one of our traditions, which had sadly fallen into abeyance, the contrived musical link.

2016: The Year in Review – Politics, Culture, Blogging

I’m going to compress my review of the past 12 months into one post this year, partly because, in common with everyone else, I’ve been, like, fuck 2016, and want to spend as little time thinking about it as possible, but mainly because my blogging activity has been pretty sparse of late, so there’s not very much to review.

Politics first; if I had any suspicion that I was old, and out of touch, then my fears were more than confirmed by the way I was blindsided by the two big political developments of the year, Brexit and Trump. To be honest I’m still pretty much in denial over both of them; I feel sure that the Founding Fathers must have written something into the Constitution to head off the kind of clusterfuck promised by a manifestly unfit President, and I can’t believe that the Tories, who have always looked after the interests of the national bourgeoisie, will follow through with the economic suicide of leaving the single market. Then again I guess it’s such naivety that stopped me seeing these disasters coming in the first place; that, and my effective retirement from active politics in the last couple of years. Anyway, I think I’ll refrain from making any more political predictions until a bit of time has passed and I’ve got at least some of my bearings back.

Culture is a bit more straightforward; my taste in music, literature and film (as recorded in our Tumblr) is more or less the same as ever, so my favourites are fairly predictable.

Top ten albums, in no particular order:

  • New View – Eleanor Friedberger
  • Welcome the Worms – Bleached
  • Human Performance – Parquet Courts
  • Crab Day – Cate Le Bon
  • Desire’s Magic Theatre – Purson
  • Empire Builder – Laura Gibson
  • Give a Glimpse of What Yer Not – Dinosaur Jr.
  • My Woman – Angel Olsen
  • Undercurrent – Sarah Jarosz
  • Let It Be You – Joan As Police Woman & Benjamin Lazar Davis

Plus lots of other good stuff; if I had to choose one it would probably be Empire Builder.

Favourite books – back in January I read a lot about time, relativity and cosmology, which was a bit of a downer, confirming as it did my view that human existence is insignificant and essentially random, so for the rest of the year I stuck to the comforts of fiction. I managed another volume of Proust, Cities of the Plain, leaving me on course to finish the set before the end of the decade, and a fair mix of other books, old and new, the most enjoyable probably Purity, by Jonathan Franzen, and David Means’ Hystopia.

Top films – I only visited an actual cinema once this year, to see The Force Awakens, which was distinctly underwhelming, even in 3D. I have acquired some of the year’s other releases on DVD, though the only one I’ve got round to watching is Hail, Caesar!, so I guess it gets my vote for film of the year. I will try to see High Rise and The Neon Demon before too long.

And so on to blogging. I actually managed to post a bit more this year than last, but traffic is down more than half, and we’re pulling in barely 10% of the hits we used to get in the glory days of 2010. This is partly due (I tell myself) to the general decline of blogging as a medium, but I have to admit that lacklustre content hasn’t helped. As I’ve already noted my political analysis was practically worthless; apart from briefly mentioning the passing of Bowie and Prince, I didn’t really touch upon any cultural issues; and, most embarrassingly, there was a complete absence of anything even vaguely resembling psychological insight into virtual life, which is supposed to be the whole point of this blog. The only post from 2016 that I would highlight is this one about the Chicago Cubs, which does show a little of our characteristic whimsical nostalgia, but overall it was far from a vintage year.

Anyway, for the record, here are our ten most popular posts of the year, all, unsurprisingly, from the archive:

  1. Second Life demographics – a brief review
  2. Free Pussy Riot!
  3. On Second Life and addiction
  4. Watching the Okhrana
  5. Fly me to the moon
  6. Ferrisburg, Vermont
  7. What’s up
  8. Bastille Day 1989
  9. No man is an island
  10. There is no land beyond the Volga

Our geographical reach has contracted a bit recently, but we still had hits from 63 different countries this year; here are the top ten:

  1. United States
  2. Brazil
  3. United Kingdom
  4. France
  5. Germany
  6. Italy
  7. Canada
  8. Australia
  9. India
  10. Spain

So that was 2016. I was going to preview next year too, but I’m running out of enthusiasm, so I’ll leave it for another day. In the meantime, I’ll wish a happy and prosperous New Year to all our readers.

Anti-Social

There’s a passage early in Irvine Welsh’s novel Trainspotting where protagonist Renton decides to kick his heroin habit, which he manages, though not without some difficulty (and a trip to the Worst Toilet in Scotland). Afterwards he finds that his friend Sick Boy has come off the smack too, just to piss off Renton by showing how easily he could do it.

In a similar spirit, I resolved last month to quit Facebook, just to prove to myself that I could. Rather to my surprise it’s been pretty painless; after a couple of days the urge to click the familiar blue icon on my phone more or less completely faded. I was a bit worried that, divorced from my carefully curated timeline, I might fall out of touch with world events and popular culture, but it turns out that looking at the BBC news a couple of times a day and listening to the radio are just as effective in this regard as compulsively checking the latest minor updates every few minutes, so I don’t feel that I’ve lost anything terribly valuable.

What have I actually gained though? A gratifying glow of smugness when I sit on the train and look at all the sheeple hypnotised by their corporate overlords of course, and probably something intangible, like a deeper connection with the natural world around me or the like. I can’t say that I’ve done anything particularly constructive with the hour or two a day freed up by this change in habit, but I guess regaining the ability to just do nothing for periods of time is actually quite valuable.

In the story Renton eventually relapses, and his subsequent detox is exponentially more horrifying than the first, so I suppose that I shouldn’t get too complacent after just a few weeks of abstinence. I need to find some other diversional activity – perhaps I’ll take up blogging again…

Wild gravity

I like to think of myself as scientifically literate, so I’d always been a bit embarrassed that my knowledge of General Relativity was rather superficial. High school physics classes and popular science books had taught me that e=mc2, that gravity is caused by matter warping spacetime, and that clocks slow down when you travel at the speed of light, but until recently I’d have been pushed to explain exactly why these things were so.

Then, towards the end of last year, I watched the movie Interstellar, the plot of which turns on the time-stretching effects of extreme gravitation, which inspired me to fill in this gap in my education. So I’ve read various textbooks, and Einstein’s own pamphlet on the subject, and while, if I’m honest, the mathematics are still a bit opaque to me, I think I’ve got a fairly good grasp of the basic principles.

Just in time too; the day after I finished the Einstein book, the gravitational waves he predicted were finally discovered (or the discovery was announced, the actual event having taken place last year). It’s nice to feel that one understands the importance of scientific advances like this, but even in a state of relative ignorance it would be hard not to be awed by a story that involves black holes spiralling at near the speed of light before crashing to release the energy of a billion trillion stars in the blink of an eye. The fact that we can hear the echo of this cataclysm a billion years later is nothing short of amazing. Despite all the evidence to the contrary, humans are pretty smart.

2015: The Year in Review – Part 1: Culture

Here we are at the end of another year; time for a quick run through what passed for cultural engagement in my life over the last twelve months. (As ever, the full list can be found on our Tumblr.)

Music first. I’m old-fashioned enough to still think of the album as the basic unit of music, and I’ve averaged about one new one a week, mainly stuff I’ve heard on Radio 6. Female, alt-rock, and singer-songwriter seem to be the predominant themes. Here’s my favourite ten, in the order that I bought them:

No Cities To Love – Sleater-Kinney
Play Along – The Sorry Kisses
Sometimes I Sit and Think… – Courtney Barnett
Foil Deer – Speedy Ortiz
Hinterland – LoneLady
Welcome Back To Milk – Du Blonde
My Love Is Cool – Wolf Alice
After – Lady Lamb
Divers – Joanna Newsom
Short Movie – Laura Marling

If I had to choose one as the best it would probably be Short Movie, though I think that Welcome Back To Milk is the one that I’ve listened to most.

There’s been a lot of talk this year about how we’re living through some kind of Golden Age of Television, but I must admit that I practically never watch the box these days. The closest I’ve come to seeing a drama series this year is to buy the box set of the first season of Fargo, but I’ve not got round to putting it on yet. Which is a shame, because I’m sure I’d love it, like I love the rest of the Coen brothers’ oeuvre, and it’s likely that I would be entertained by all the other shows that the critics rave about too, but the fact is that I just can’t face committing myself to a lengthy series. My attention span is obviously shot; I blame the internet.

That said, I can at least concentrate for the length of a film, and I have managed to catch a few movies this year, the best of which was the Thomas Pynchon adaptation Inherent Vice, exactly the sort of rambling stoner mystery that I like watching over and over. I did think about seeing the new Star Wars over the holidays, but in the end I didn’t bother. I guess I will go sometime in the new year, but I’m pretty sure it will be a disappointment.

I’ve been reading a bit more too; if there has been a common thread to my choice of books this year it’s been the subjective experience of time and memory. I finished another volume of Proust, The Guermantes Way, which I felt was the most entertaining of the series so far, though that might just be because I’m familiar now with the characters and the pace of the novel. Other highlights were The Savage Detectives by Roberto Bolaño, and this year’s literary sensation City on Fire by Garth Risk Hallberg. The latter was almost as good as the hype, particularly in its depiction of New York City in the mid-70s (an era in which I like to imagine I would have felt right at home), though the plot petered out towards the end.

Looking to the year ahead, I’m sure it will be more of the same; Proustian reverie and drug-imbued diversion set to a suitably stimulating soundtrack. That’s OK though; I’ve reached a point in my life where I’m reasonably comfortable with my taste in entertainment, which, all in all, I don’t think is too shabby…

2014: The Year in Review – Part 1: Culture

Back in January I took the momentous decision to stop buying CDs, and start downloading music instead. (I am aware that downloading is passé, and streaming is where it’s at, but give me some credit for finally leaving the 1980s and catching up with the 21st century.) I’ve also been listening to the radio a lot more, mostly BBC 6, and the combined result has been that I’ve got into a lot of new artists, rediscovered some old favourites, and acquired loads of records this year. Far too many to list here (they’re all on my Culture Tumblr if you’re interested), so I’ll just feature the best tracks from my ten favourite albums, in no particular order:

Moaning Lisa Smile – Wolf Alice (Creature Songs)
An Ocean In Between The Waves – The War On Drugs (Lost In The Dream)
Your Love is Killing Me – Sharon Van Etten (Are We There)
We Are Coming Back – Marissa Nadler (July)
Can’t Be Too Responsible – Avi Buffalo (At Best Cuckold)
Woke Up In My Future – Haley Bonar (Last War)
Love Song – Dawn Landes (Bluebird)
Different Days – The Men (Tomorrow’s Hits)
White Fire – Angel Olsen (Burn Your Fire For No Witness)
Forgiveness – Bob Mould (Beauty & Ruin)

I managed to get out to see more live music this year too, from the relatively new (Speedy Ortiz) to the somewhat older (Television) but my favourite show was living legend Bob Mould, still as electrifying (and as loud) as when I first saw him in Hüsker Dü back in my student days.

Book-wise, I’ve been reading a lot of history, specifically 18th and 19th century military history, from the Seven Years War to the Franco-Prussian War. I was fairly familiar with the political history of this period already, but it’s always good to remind oneself that outcomes that seem inevitable in retrospect are often contingent on the actions of fallible individuals.

On the fiction front my main project was another attempt at Proust’s In Search of Lost Time – I managed two volumes, which is twice as far as I’ve got in the past, and I’m going to dive back into The Guermantes Way next month. I read a few more contemporary novels too, but nothing terribly memorable.

My favourite book of the year however was a piece of non-fiction from 1984; Janet Malcolm’s In the Freud Archives, a masterful and darkly humorous deconstruction of narcissism in the world of psychoanalysis.

I’m still not going to the cinema much. I seem to have completely fallen out of love with the whole medium; I hardly ever read the movie reviews these days, so I can’t even fake opinions on what’s been showing. I did see one great film this year though; Inside Llewyn Davis by the Coen brothers, who can always be relied upon to spin a slender narrative into something deeper. I found the title character particularly affecting, perhaps because I can identify with a man who can’t quite give up on his dreams, even though he knows that to compromise would make him happier, or at least unhappy in a more bearable way.

So there you have it, my year of culture, such as it was. I have, of course, skirted around the mass of low culture I consumed, in the form of YouTube binges (Russian dashcam videos a particular favourite), listicles, and other mindless internet ephemera, which wasted countless hours of my life that I’m never going to get back. It’s the general trajectory of our information-overload society I guess. I will try to be a little more highbrow next year…

In search of lost paperbacks

I don’t, as a rule, re-read books; life is short, and I’ll be doing well if I get through a fraction of the tomes in the Western Canon, let alone make a start on world literature, so there’s no time to go over old ground. The main exception I make is for books that I read when I was far too young to appreciate them. I was, you may be unsurprised to learn, an insufferably pretentious youth, and eschewed the questionable delights of young adult fiction for the likes of Tolstoy and Dostoyevsky, which, while they didn’t go completely over my head at the time, were definitely more rewarding when I revisited them with more experience of life.

That said, I have just finished reading Swann’s Way for the third time. On both previous occasions I had intended to go on to read the subsequent parts of the series, but had been frustrated by the fact that I did not posses any of them, and was reluctant to make the investment required for their purchase, since I was far from sure that I would see the task through.

My original copy of Swann’s Way was a battered old paperback that I picked up in a hostel in San Francisco more than twenty years ago. Every second-hand bookstore and flea market seems to have one, but despite much searching I have never found a used copy of any of the other volumes, which is perhaps a sign that lots of people, like me, start the heptalogy with fine intentions, but never get past book one.

Anyway, this summer I resolved to try again, since even the little I have read of Proust’s work has heavily influenced my own writing style, and, with digital copies available for pennies, my economic excuse doesn’t really hold water any longer. I’m just about at the end of In the Shadow of Young Girls in Flower, and I’m not flagging too much yet, though I probably will take a break before I get into The Guermantes Way.

So that’s why I’ve not been blogging much this past while; I’ve been lost in the drawing-rooms and country estates of Belle Époque France. There are worse places to spend a summer…

Forty Years Of Insularity

I’d like to be able to join in the tributes to the late Gabriel García Márquez by quoting passages from his works that have inspired me, but the sad truth is that, while I have of course heard of him, and I am familiar with his critical reputation, I have never actually got round to reading any of his books. I’ve pretty much completely avoided magical realism in fact; Angela Carter, Juan Rulfo, not much else.

This rather embarrassing lapse has prompted me to reflect on how anglocentric my reading habits are. How many translated works have I read? There are the ancient classics – Homer, Ovid, Virgil, some other Greeks and Romans. Skip a millennium to Dante and Cervantes, then another gap to the 19th Century; quite a lot of Russian stuff – Tolstoy, Dostoyevsky, Chekhov – Flaubert, Zola. Into the 20th Century there’s Kafka, Hesse. Nothing I can think of post-war though.

This is most unsatisfactory. The cultural life of entire peoples is literally a closed book to me. Inexcusable, in an age where just about any volume is available at the click of a button, but unlikely to change, since I’m already well behind with my list of English must-reads, and new stuff comes out all the time. I will try to tackle One Hundred Years of Solitude this summer though; Márquez did win the Nobel Prize, so I guess it might be worth my time…

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