Lovesexy

I guess it’s an indication of my limited musical horizons, or perhaps just that I’m a terrible and shallow human being, but, for me, the entirety of Prince’s 37-album, endlessly-innovative, genre-melding, racially-integrating, PMRC-baiting revolution of a career boils down to a nostalgic fondness for his 1988 track Alphabet Street, because it reminds me of a girl I knew in college. I think the late Artist would have approved of what we did while listening to that record though…

Top Trump?

In the immediate aftermath of Super Tuesday it looked like the GOP establishment was facing three equally unappealing options; a) let Trump have the nomination and back him in the general election, b) let Trump have the nomination, but back a rival “Real Republican” candidate, or c) deny Trump the nomination through convention shenanigans, undoubtedly provoking him into an independent run. It’s difficult to imagine any of these scenarios ending unhappily for the Democrats.

Events since then have muddied the waters a little though. Cruz did well enough in the subsequent polls to strengthen his claim to be the leading “Stop Trump” candidate, and, unless Rubio and Kasich pull out something special in Florida and Ohio respectively, it might soon be a two horse race. Simultaneously, the chaos and violence lurking under the surface of the Trump campaign has been bubbling up enough to give his less ardent supporters some doubts about his Presidential caliber, and the long-predicted ebbing of his fortunes may finally start to materialise. It could be close enough come July that a brokered convention, which right now appears a bigger affront to democracy than even the GOP could stomach, might be more palatable.

Still, the eventual candidate, be he the unlikable Senator or the unlikable businessman, will be faced with the challenge of pivoting towards the middle ground where elections are won and lost, without alienating the Republican base. This task, which proved well beyond McCain and Romney, has become significantly harder in the last eight years as the wingnuts have taken over the grassroots of the party, so, even if outright civil war is avoided, a Republican win in November looks unlikely.

On the Democratic side, the maths still seems to favour Hillary, Bernie’s surprise victory in Michigan notwithstanding, so, barring some unforseen disaster, there should be a Clinton in the White House again before too long. I was in Times Square the night Bill was first elected – it might be time to plan another visit…

There’s a Starman waiting in the sky

I wouldn’t say I was ever a big fan of David Bowie – he was a genius, obviously, but in my opinion (though I know millions would disagree) nothing he did post-Ziggy Stardust was terribly interesting, apart from producing Lust for Life and appearing in The Hunger. (I would like to say that I loved the Berlin Trilogy, but to be honest it has never really grabbed me.)

The era where single artists could have the sort of global recognition and influence that Bowie had in the 70s seems a long time ago now. Our culture has become ever more stratified, even though (or perhaps because) we have the opportunity to access a much wider range of creative output than ever before. Which is a shame.

So I did feel sad upon hearing that Bowie had died, though I know that at least part of that is just general regret at the passing of the years. The sadness appears to be universal; all the tributes that have flowed today seem genuinely heartfelt, which isn’t always the case in our age of instant shallow reaction. I’ll join in by linking to this iconic performance of my own favourite Bowie track.

Memories of futures past

I’ve been trying all day to recall the first time I saw Back to the Future Part II, or indeed if I’ve ever watched it all the way through. I definitely didn’t see it in the cinema, but I can vaguely remember parts of the plot, so I guess I must have caught it on TV sometime. (I know when I saw the original movie; at an all-night sci-fi film festival when I was in college. Also on the bill: Terminator, Aliens, Blade Runner and one of my all-time favourites Trancers, so a pretty good night, especially since just about everyone there was completely baked.)

Predictably enough, a wave of nostalgia has been sweeping the internet today, as my fellow Gen-Xers, in characteristic fashion, use an 80s pop-culture reference as an excuse to look wistfully back at the hopes they used to have for the future. I’m tempted to join in, because I miss being in my 20s too, but there’s only so much that can be written lamenting the non-appearance of hoverboards before it all sounds a bit self-indulgent.

In any case I’m not particularly unhappy with how things have turned out in my life, though of course it hasn’t gone quite the way I imagined it would back in the 80s (not that I have a terribly clear memory of what my youthful hopes and plans actually were.) It would probably bother me more to think that everything had unfolded in a predictable way, without any randomness or serendipity.

Anyway, I’ve reached a point now where I no longer really look forward, or back, but just try to be in the moment, (which is, of course, the secret to happiness.) I like to think that this serenity is the result of a conscious effort on my part, but it probably owes more to my unconscious need to avoid acknowledging my many failures, and my ultimate mortality. Hopefully I’ll be able to keep it up for the next 30 years…

That TV show you like is going to come back in style

One of our most-read posts over the years is this one from 2010, reflecting on the cultural and personal impact of David Lynch’s seminal 90s TV series Twin Peaks. Readers familiar with the themes we keep returning to in this blog will be unsurprised to learn that I was a big fan of the show, which originally aired when I was a student, and which provided the fuel for hours of late-night, drug-enhanced discussion in my social circle. I even travelled to the Pacific Northwest to visit Snoqualmie, where much of it was filmed. (In true Lynchian spirit I went hiking in the snowy woods outside of town, and nearly froze to death, though I never did find the Black Lodge, or run into Laura Palmer.)

You may think then that I would be excited by the news this week that Lynch is revisiting Twin Peaks, with the long-awaited third series due to appear in 2016. I suppose that I am, but there is some trepidation too – I know that, however good the new episodes might be, I’m likely to be disappointed, because it’s not 1990, and I’m no longer a 20-something student with nothing better to do than sit up all night smoking dope and obsessing over an ephemeral cultural artefact. My enjoyment of the show will inevitably be clouded by the feelings of loss I harbour for the potential of my youth.

Then again, loss and dislocation were central to the original Twin Peaks, and the renewed narrative may well pick up on these themes in a way that will beguile me like it did all those years ago. I guess I’ll just have to stock up on coffee and cherry pie, and sit down to see how it plays out…

Not far to reach

On one of my first trips to New York, back in the early 90s, I stayed in a backpackers’ hostel in a brownstone on the upper West Side, 86th street I think. It was pretty basic, about 20 to a room, mostly young Europeans, but a good place to meet people. It had a nice big kitchen, which was down in the basement, but the building was on a hill, so the room still caught the sun through large windows which looked out on an overgrown garden.

One of my most vivid memories of that trip is standing at the stove late on a Sunday morning, frying hamburgers and eggs for breakfast, looking at the mural which occupied the whole of the wall behind the worn couches that made up the dining area. It was a seaside scene, with girls in bikinis and guys in bermuda shorts, lying on bright towels, drinking and smoking while the waves crashed on the shore, all done in a charmingly naive style, Outsider Art almost. Around the edge, forming a frame, were the lyrics to Rockaway Beach, by the Ramones, no strangers to the outsider tag themselves.

I never actually made it out to Rockaway, but ever since that day that image, and that song, have represented a platonic ideal of summer for me, a moment of uncomplicated pleasure frozen in time, out of focus, just out of reach, like a girl glimpsed through the haze of a hot day by the ocean.

This came to mind today when I heard the sad news that Tommy Ramone, last survivor of the original lineup, had passed away, another sign, if I needed it, that time keeps moving on.

That hostel is probably an upscale apartment building now, the mural long gone, my fellow travellers scattered around the world, to whatever fate life held for them. Places, people, experiences, all slip away, leaving only my memories, which will die with me. The Atlantic still washes the sand at Rockaway though, and I guess boys still listen to music and dream of days with their girl at the beach, so it’s hard to believe that those moments will be lost forever. It may be true that no one will ever stand in that kitchen again, seeing that picture just the way I saw it all those years ago, but I like to think that we are but temporary vessels for the common emotions of humanity, and that the kind of joy which rises in my heart when I remember that day will be around as long as there are people alive to feel it.

Playing History

I had planned to post a WW2-themed piece on the 70th anniversary of the Normandy landings earlier this month, but for one reason and another I missed the deadline. I’ve another chance today though, since June 22nd marks the start of the other great Allied offensive of 1944; Operation Bagration, the Red Army’s drive into Belorussia, which destroyed an entire German army group and opened the way for the Soviet advance to Berlin.

Watching and reading the media coverage of the D-Day commemoration, I was struck by how the Second World War is now a properly historical event, with little more immediate emotional resonance for today’s generation than the Somme, or the Napoleonic wars, or Agincourt.

It was very different when I was young. Though the conflict had been over for a quarter century it was still a part of the live culture; in the films and programmes we watched on TV, in the comics we read, and in the games we played after school. Most of the boys preferred to be British commandos in our imaginary gun battles, though there were a few who were suspiciously OK with being Nazis. I was pretty much alone in wanting to be a Red Guard, so I usually ended up storming a make-believe Stalingrad single handed. When I was a little older I had a whole division of miniature T-34s which I would pitch against my friends’ Tigers and Panthers in epic reenactments of Kharkov and Kursk.

Of course in those days there were still a lot of people around with direct experience of the conflict; both of my grandfathers served overseas for most of the duration, and while they didn’t talk about it much it was one of their formative experiences. More importantly perhaps the Cold War had frozen Europe in 1945, and it wouldn’t thaw out until the collapse of the Soviet Union in the late 80s, finally allowing Britain to start to move on from its imperial past.

I guess kids today still play WW2 video games, but I never see boys running around the neighbourhood pretending to shoot each other with Sten guns and Lugers like it really means something. Which is for the best I suppose, but I do think a childhood without toy tanks is probably missing something…

This “Internet” thing might catch on

It’s a quarter of a century since Tim Berners-Lee submitted his proposal for what became the World Wide Web; I got on board in 1996 via a 14.4 modem, Compuserve, Netscape Navigator and Geocities, but it wasn’t until May of 2007 that the medium finally reached its full potential with the debut of Second Life Shrink. I think it’s fair to say that there have been no significant developments in online culture since then, but we’re working on it…

Nelson Mandela RIP

I’m not going to try to summarise Nelson Mandela’s many contributions to the progress of humanity; that’s been well covered elsewhere, though it should be noted that much of the mainstream media have presented a rather toned-down take on Mandela’s politics, glossing over his more radical side. More than a few of the world leaders now rushing to eulogise Mandela have more in common with his oppressors than the man whose legacy they seek to appropriate.

Mandela’s passing has reminded me once again what a long time ago the 1980s were; looking back at some of the political questions that seemed so important to me in those days – the fight against apartheid, the Cold War, the war in Ireland, and no doubt others I’ve long forgotten – it seems like another planet. On the other hand, the fundamental injustices that underlay the struggles we were involved in back then are still around today; some of them in new forms, but others depressingly familiar.

It can seem that the fight to make a better world is endless, and that our foes hold all the advantages, but the greatest lesson that Mandela taught us was the necessity of taking the long view; it may take decades, and at times things might seem hopeless, but history is on the side of progress, and we will win in the end.

First thing you learn is that you always gotta wait

Sad news about Lou Reed this week. I have to admit that I’ve never been a great fan of Reed’s post-Velvets work – I have a copy of Transformer of course, but it’s on vinyl, so I haven’t listened to it for years – but The Velvet Underground & Nico is still one of my all-time favourites. I’m especially fond of I’m Waiting for the Man, which always reminds me of the one and only time I bought dope in NYC (at Washington Square Park rather than uptown), when I managed to score $20 worth of the city’s finest cardboard.

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