@R.Mutt

After posting our last piece about non-fungible tokens, it struck me that perhaps I was missing the point, and that such works should be read conceptually. Interpreted thusly, NFTs would be akin to Marcel Duchamp’s readymades, mass-produced objects given significance by being chosen by the artist, and could even be seen as a critique of the commodification of art, rather than just a particularly crass example of it. It does seem like a lot of meaning to hang on a five-word tweet though, even one worth $2.9 million.

Thinking about Duchamp reminded me of seeing his work The Bride Stripped Bare by Her Bachelors, Even in the Philadelphia Museum of Art, during a visit to that city nearly thirty years ago. I don’t recall much else about that trip, though I was there for a few days, so I guess I must have seen the Liberty Bell, and all the other historical sights. I do remember the youth hostel, a rambling wooden structure in what didn’t seem to be the most salubrious part of town. The weather was good though, so it was nice to sit in the garden in the evening, chatting with the other travellers. I need to take another long vacation in the US sometime; hopefully it won’t be too long before that’s possible again.

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