2023: The year in review – Part 1: Culture

Here we are at the end of December, time to look back on the year that has just passed. I’ll summarise our blogging output, such as it was, in the next post, but first up a run through of some of my personal cultural highlights of 2023.

Television – after a peak during the pandemic, my TV-watching has reverted back to being practically non-existent. The only new programme I took in was the third season of Only Murders in the Building, and even that I binge-watched over a couple of evenings. I do occasionally dip into back episodes of comedies like Arrested Development, or It’s Always Sunny in Philadelphia, but otherwise the medium is essentially dead to me. I’m not sure if that will change in the year ahead, though I’ll probably keep my various streaming-service subscriptions going just in case something good comes out.

Film – I did make much better use of my membership of our local art-house cinema this year, going more or less weekly for a spell, though that did tail off a bit more recently. Highlights included a Wes Anderson season ahead of the release of Asteroid City, anniversary revivals of classic films I just about remembered from the first time around, like Variety, Dazed and Confused, Gregory’s Girl, and Stop Making Sense, homage to the noughties NYC music scene Meet Me In The Bathroom, and of course summer blockbuster Barbie (though I skipped Oppenheimer, which I was not in the mood for at the time; I guess I should try to catch it before the Oscar nominations come out). My favourite film of the year was Anatomy of a Fall, an intriguingly ambiguous exploration of whether it is ever possible to really know another human being.

Books – My top read during 2023 was Richard Ford’s original Frank Bascombe trilogy, particularly The Sportswriter; the story of a middle-aged white guy navigating existential uncertainties unsurprisingly struck a chord at this point in my life. Other fiction I enjoyed included some more volumes of Armistead Maupin’s Tales of the City, Nathanael West’s lurid LA nightmare The Day of the Locust, and a re-read of Sacher-Masoch’s classic Venus in Furs. In non-fiction there was Haruki Murakami’s Novelist as a Vocation, various works by Bertrand Russell, and, balanced somewhere between philosophy and fiction, Benjamín Labatut’s meditation on the implications of Artificial Intelligence, The Maniac.

Music – I finally got with the times and signed up for a Spotify account this year, and I’ve been relying on their algorithm to supply my general background soundtrack. I’m still undecided on whether this is a good or a bad thing; it has introduced me to a few new artists, but mostly plays my old favourites. I do still read the music press, and listen to the radio, which I hope is enough to steer me towards some fresh albums; here are my top ten from 2023:

Compiling this annual retrospective, and comparing it with entries from previous years, I’m unable to escape the conclusion that the breadth of my cultural horizons is inexorably shrinking, in terms of the absolute number of books, movies and records that I consume (as enumerated in our Tumblr), but also in my willingness to look outside of my habitual preferences (which were probably always more fixed than I cared to admit). In my more pessimistic moments I consider this an inevitable consequence of advancing age, but every now and again I feel a spark of enthusiasm for some new experience, which is enough to reassure me that I’m not ready for the scrapyard just yet. Perhaps 2024 will be a year of personal renaissance, I guess we’ll see.

So much for my internal world; what of my engagement with external reality through the medium of this blog? Read our next post to find out…

Coronation musings

One day when I was in primary school, back in the mid-1970s, we were all loaded on to buses and taken to the cinema, which was a pretty big deal, since such extracurricular excitement was a rare event in those days. The film we saw was A Queen Is Crowned, the 1953 documentary of the coronation of Queen Elizabeth II. Presented in glorious Technicolor, and narrated by Laurence Olivier no less, it was quite a spectacle, and must have been even more impressive when it was first released to a nation only just emerging from postwar austerity. I’m not sure why we were taken to see it; the obvious reason would be the Silver Jubilee of 1977, but I’m fairly sure this trip was a couple of years before that. Anyway, whatever the occasion, Liz’s big day was clearly grand enough, even at second hand, that I can recall it nearly half a century later.

There has been plenty of comment over the last few weeks noting the contrast between the forward-looking, vibrant country which welcomed a modern young Queen, and the insular, sclerotic nation, obsessed with past glories, that her elderly son has inherited. There’s no doubt that the excitement that greeted Elizabeth’s ascension has not been replicated; popular reaction to today’s events has predominantly been one of indifference. Even staunch republicans like myself are mostly irritated rather than outraged, and we’re not complaining about the extra holiday on Monday.

The gloominess may be overstated though, and it is probably confined to observers of my generation, who are looking back on their lives with vague regret. Younger citizens, who still have a future ahead of them, see a Britain that, for all its troubles, is infinitely more diverse and socially progressive than it was in the 1950s. The fact that we are no longer psychologically in thrall to the monarchy is sign of how far the nation has come. We probably won’t have to wait 70 years for another coronation, but I’m sure that next time around it will be even more of a minority interest.

Oscar predictions 2023 revisited

So, confidence notwithstanding, my score was even worse than last year, with only my call for the Best Director Award proving correct. It seems that actually watching the nominated movies doesn’t improve my accuracy at all; perhaps next year I’ll save time by just reading the reviews.

Oscar predictions 2023

I’ve actually seen a few of the movies tipped for Academy Award success this year, and read about most of the others, so I’m moderately confident that my forecast may be a little more accurate than it was last year; I guess we’ll see tomorrow.

Anyway, here are my picks for the main categories:

  • Best Actor – Austin Butler
  • Best Actress – Cate Blanchett
  • Best Supporting Actor – Judd Hirsch
  • Best Supporting Actress – Stephanie Hsu
  • Best Director – Daniel Kwan, Daniel Scheinert
  • Best International Feature – EO
  • Best Picture – All Quiet on the Western Front

2022: The year in review – Part 1: Culture

It’s time once again for the annual audit of my engagement with contemporary culture. As ever the full story is on our Tumblr; here are the best bits:

Television – I still subscribe to several streaming services, but despite this I’ve been watching a lot less TV this year compared with last. I was going to say it was mostly lightweight genre programming, but looking back I see it was actually exclusively lightweight genre programming; I evidently no longer have the intellectual stamina for the sort of serious dramas that the critics recommend. I liked Moon Knight, and The Rings of Power was pretty to look at if ultimately rather unsatisfying, but, judged by the speed with which I binge-watched it, my vote for most enjoyably diverting show would have to go to season two of Only Murders in the Building.

Film – At the start of the year I took out a membership at our local arthouse cinema, fully intending to get back into the independent movie habit; let’s just say that hasn’t quite worked out, though I did manage around one film a month. Honourable mentions go to Amsterdam, Licorice Pizza, and Nightclubbing, but I’ll try to maintain my cinephile credibility by nominating a film with subtitles as my favourite; The Worst Person in the World.

Books – My major literary project this year was reading The Brothers Karamazov, which I found every bit as good as its reputation suggests; satisfying philosophically but also narratively, with characters so vividly drawn that one never feels they are mere mouthpieces for Dostoyevsky’s ideas, rather than living, feeling individuals. I have some regret that I didn’t tackle this great work years ago, but on the other hand I also believe that the books that stay with you are the ones you read at the right time in your life; perhaps late middle-age is when I needed to meet Fyodor Pavlovich Karamazov and his sons. My other obsession in 2022, inspired by my trip in the summer, involved books about life in California; highlights in the fiction category included works by Bret Easton Ellis, Edward Bunker, Joan Didion, and Armistead Maupin. My favourite book of the year was something more contemporary though; I Fear My Pain Interests You, by Stephanie LaCava.

Music – I’ve purchased rather fewer albums this year than usual; I think it’s because I’ve not been listening to the radio or reading the music press much. Still a lot of good stuff though; here are my top eleven, since I can’t quite edit it down to ten:

I didn’t get to see much live music this year; of the shows I did attend Kim Gordon was the one I really enjoyed.

So that’s the year in culture; not particularly adventurous I guess, but not totally ossified either. Next up: blogging.

Unpacific heights

The undoubted highlight of 2022 for me was my trip to the US in the summer. I had a particularly agreeable time in San Francisco; lazy days in peaceful parks, intriguing art in quirky galleries, culinary discoveries in exciting restaurants, and a climate that was pleasantly warm, but without the stifling heat and dust of Los Angeles.

I’ve been daydreaming about returning to the Bay Area more or less from the moment I stepped off the return flight, but I must admit I’ve been given some pause by the news today that the SFPD are planning to enhance their crime-fighting effectiveness by deploying killer robots on the city streets.

The actual story is perhaps a little less alarming than the lurid headlines; the androids in question will not be autonomous, and will only be armed in extraordinary circumstances, but still, I’ve seen Robocop, and Terminator, not to mention Blade Runner, so I know one can’t be too blasé about these things. I guess I could always move to Oakland instead…

Jean-Luc Godard RIP

The Grim Reaper has been busy in the last few weeks, claiming some genuinely significant figures; first Mikhail Gorbachev, now Jean-Luc Godard.

You may not be surprised to learn that I watched a lot of Godard’s Nouvelle Vague films when I was a student, but I have to admit that, À Bout de Souffle, Bande à Part, and Alphaville apart, they have pretty much merged in my mind into one long, disjointed montage of coolly alienated young garçons et filles pursuing doomed relationships in a monochrome Paris. Of his later work I’m fairly sure that I’ve seen Prénom Carmen, but I can’t recall much about it.

When it comes to cinematic milieus, I probably lean more towards 70s New York than 60s Paris (while recognising that without the influence of Godard it’s unlikely that Scorsese would have made the films he did) but, that said, I still think that Michel Poiccard makes a infinitely more appealing role model than Travis Bickle, so there’s no doubt that Jean-Luc’s reputation as a genius auteur is fully justified.

Fifteen Years Ago

Second Life Shrink made its debut on May 26th 2007, an exciting time when technology promised a future of unlimited opportunity. The must-have communication gadget was a BlackBerry, all the cool kids were on MySpace, and it was still possible to dream of making a living by blogging.

A decade and a half later, after nearly 700 posts, we’re still going strong, or still going at least. This would seem like a good opportunity to reflect on how the dream of internet liberation degenerated into the post-truth social-media dystopia that we live in today, but that sounds like hard work, so in true SLS slacker style I’ll just do what I did on our fifth and tenth birthdays, and list my favourite posts from the past 5 years:

2017

2018

2019

2020

2021

2022

Perhaps this review will inspire me to post a bit more frequently again; we’ll see. In the meantime I’ll revive a favourite feature that has lain dormant since 2017, the post-title-related music link.

Oscar predictions 2022 revisited

So, I was 2 for 7 in my Academy Awards forecast, and the 2 both related to films I hadn’t actually seen, just read about, so I guess I’ll have to admit that I haven’t really been in touch with the cinematic zeitgeist over the last 12 months. I’ll try to do better in the year ahead…

Oscar predictions 2022

Much like last year, I haven’t seen many of the movies up for an Academy Award in March, but I do read enough reviews to have an opinion, on the main categories at least, so here are my forecasts:

  • Best Actor – Benedict Cumberbatch
  • Best Actress – Olivia Colman
  • Best Supporting Actor – Jesse Plemons
  • Best Supporting Actress – Judi Dench
  • Best Director – Jane Campion
  • Best International Feature – Drive My Car
  • Best Picture – The Power of the Dog

There’s still a month until the ceremony, so I might update this list if I get around to actually watching some more of the nominated films.